Ok, so I don’t know how I ended up here and woah!
And also they made this
There’s even a granny!
(there’s a guy who looks like Hulk btw)
and there are
THEY MADE THOR
And there’s also this which made me laugh
Space, guys… SPACE!!!!
I kinda want all of these tattoo’d on me
fyi, these make really great phone wallpaper…
A view that can take your breath away.
She is Portia, named for the spider. A demon who eats other demons.
Character belongs to Rockpaperscissorsglue.
-IsaJennie @igmurray 15h
This is about the burden of disabilities, mental illnesses, and chronic illnesses in academia but I’m guessing it applies to pretty much any setting where one can request services for disabilities. Or just life in general.
Also known as I really need my accommodations but don’t freak out please don’t freak out I promise I can do the work.
O.K. let’s see if this makes sense.
No doubt, one of the most talked about films so far this year is Darren Aronofsky’s Noah. The film has gotten its share of rave reviews, though there are those who have major problems with it. However, one cannot deny that it is truly an ambitious, unique and original film - the kind of risk-taking movie you wish Hollywood would make more of, like they used to.
However, there is that one thing; That one thing that stuck out in my mind when I saw the film: “Hey, where are the black folks or people of color in the film?”
If this film had been made back during the epic “Biblical film” era, in the 1950s, well then, yes, you would expect that.
But even Cecil B. DeMille’s The Ten Commandments has black people in it. So, here we are well into the 21stcentury, and Noah is populated with nothing but white people, many who speak with British or Australian accents.
Well, in a new interview on the website The High Calling (HERE) the co-screenwriter of the film Ari Handel, who wrote Noah with Aronofsky, was asked about the lack of diversity and addressed by saying:
“From the beginning, we were concerned about casting, the issue of race. What we realized is that this story is functioning at the level of myth, and as a mythical story, the race of the individuals doesn’t matter. They’re supposed to be stand-ins for all people. Either you end up with a Bennetton ad or the crew of the Starship Enterprise.”
He goes on to say:
“You either try to put everything in there, which just calls attention to it, or you just say, “Let’s make that not a factor, because we’re trying to deal with everyman.” Looking at this story through that kind of lens is the same as saying, “Would the ark float and is it big enough to get all the species in there?” That’s irrelevant to the questions because the questions are operating on a different plane than that; they’re operating on the mythical plane.”
Really? That’s the best he could do? Why not just say, we just didn’t want to be bothered? I would have bought that.
So let me see if I understand this. In other words, if we put black people or POC in the film, then people would notice it, and that would have been like really, really distracting, taking people out of the film. So instead, we got a whole bunch of white British, American and Australian actors to represent all mankind, because it‘s just a lot easier?
And, furthermore, putting people of color in the film would have somewhat diminished the biblical Noah, making it look, God forbid, like some kind of Star Trek movie?
Sorry I’m all confused here. I was thinking that, if you want to represent all mankind in a film, then wouldn’t it make sense to have a cast that did actually represent all of mankind, in every color and hue, instead of having an all white cast, and telling audiences to just squint their eyes, and pretend that he’s another race, because it’s all just a myth after all? So black people can’t be mythical too? Nope, I guess we’re too real, too urban.
Am I wrong here, or is Handel? You tell us.
One more argument for not seeing this movie
because we’re trying to deal with everyman
oh, because PoC and somehow not the everyman? White supremacy at work, people: defaulting to whiteness as the norm.
"I believe at her core she is very frightened and paranoid. She’s a fucking gambler. I always feel she’s carrying water in a basket with holes in it." (Lena Headey on Cersei Lannister
people dont blog about the princess bride enough
she doesn’t even try to walk down she just dives head first onto a fucking hill buttercup what even god i love this movie
listen I’m not saying that Scarlett Johansson’s response to Dylan Farrow’s letter was the worst one of them all, but do just wanna kind of gently/aggressively remind everyone in the midst of reblogging Winter Soldier shit that Scarlett Johansson is a rape apologist and is also starring in one of the most racist pieces of shit to come out this year, so maybe dial back your “feminist” glee about how “body positive” she is.